Normal People
by Sally Rooney
Gray Planet Commentary
- Relentless intimacy
- Flawed characters we love anyway
Gray Planet Indices
- Good Book Index: 93/100
- Literature Index: 91/100
- Magic Factor: 82/100
Normal People by Sally Rooney is a work of depth and perception unlike any novel I have ever read. It is a Bildungsroman, a very complex and personal one in which two very different coming of age stories are intertwined.
The first story is Connell’s, a young man who in high school is a popular athlete and casually brilliant student. Connell comes from working class family with little money and no social standing. The second story is Marianne’s, whose family is very well off, who is not popular in school, but is also intelligent and a good student. Connell’s mother, Lorraine, works as a housekeeper for Marianne’s family.
The story takes place in Ireland over a period of four years, starting when Connell and Marianne are in high school in a small town, and continues through their first years at Trinity College in Dublin. From the moment they meet when Connell picks up his mother at Marianne’s house, both Connell and Marianne feel a deep attraction. This attraction drives the narrative with a force that is both engaging and relentless. Rooney’s prose and her intimate narrative of the thoughts and actions of her characters draw us into the emotional world of Connell and Marianne, and we can’t get out.
This is not an easy book. The characters are so real, their interactions so deeply personal, heartfelt, and sometimes cringeworthy that we find ourselves at one moment wincing with embarrassment and at the next exalted by a deeply personal insight. But even though Connell and Marianne feel they know the other better than they know themselves, simple things cause misunderstandings and the novel becomes an emotional roller coaster, much like Connell and Marianne’s relationship. It seems inevitable, even as their social roles transform, that they must be together. Over time, they are and then they aren’t and then they are again. Each of them grows and changes significantly over time, but there is one constant–the depth and importance of their connection, or perhaps, addiction, to each other.
The scope of Rooney’s story feels narrow at first, but it becomes expansive as we learn how Connell and Marianne struggle into adulthood and move toward and away from each other. As they grow, their personalities solidify in unexpected ways that lead to conflicts and challenges, both personal and relational, that they must face and overcome.
The ending is the weakest part of the novel, particularly on first reading. After the emotional complexity appears resolved, suddenly Rooney thrusts us back into another cycle of their relationship and calls into question the accommodations that Connell and Marianne have made for each other. After more careful reading the ending is consistent, but it does not leave the reader with closure or satisfaction and so it disappoints given how effective the rest of the novel is.
Even so, Normal People is an exceptional book, an engrossing experience that is impossible to put down. It is compelling, not in the manner of a thriller, but because we care about Connell and Marianne as if we are them. Connell and Marianne are “normal people” and we are better for having known them.
